One of the major themes of Luchino Visconti’s 1967 adaptation of Albert Camus’ The Stranger (which I recently watched) is, about a perceived conflict between the liberty of the individual and the integrity of society. We can also turn to the story and to one scene in particular, and find a good parallel to the question of whether the marriage of non-heterosexual couples should be legally recognised: the issue of ‘gay marriage’/ ‘marriage equality’.
Camus is one of my favourite public figures of conscience. Visconti’s Lo Stranero is a very faithful adaptation. His interpretation of Meursault as a benign sensualist is sound; and if anything the film is perhaps too faithful1Camus’ estate placed limits on artistic licence and selected the script writer; and in several scenes of the film Meursault narrates lines directly from the book which are jarringly flowery coming from the voice of the film’s typically direct and concise character.
This is the story of the trial-by-character of the Algerian Frenchman, Meursault who inexplicably kills an Arab on a beach in Algiers. Many have read The Stranger during a ‘coming of age’ period of their lives where they appreciate the social rebellion embodied in Mersaults’ apparent amorality, yet, as one of those amorphous stories that can be seen from a different light when read again, today I will be exploring it in parallel to contemporary debates about marriage.